
Sapientia, Eloquentia et Humanitas:
Unpacking the Atenean in Jose Rizal
“I owe much to this Order [the Jesuits] — almost all that I am taken to be.”
- Rizal’s Diary, Calamba to Barcelona, 2 May 1882
INTRODUCTION
‘A heart inflamed with the Ateneo spirit’, late Nanding Hofileña, M.D. believed, in his remark upon receiving the Lux-in-Domino award[1], was why ‘though we [Ateneo graduates] have left Ateneo, the Ateneo has never left us’. Dominant narratives ubiquitously speak of Ateneo along the lines of character (trans)formation which it ultimately brings about. The lives of some of the greatest Ateneans over the past 150 years, as compiled by Fr. Jose Arcilla, S.J., exemplify and keep alive the tradition that is ‘The Ateneo Way’.[2]
Jose Rizal, Philippine national hero, equally extoled Ateneo and the Jesuits for transforming his life. Rizal, after all, had said that he would not have become the man that he had become were it not for his Ateneo education. In his diary, written soon after his graduation in the Ateneo, Rizal described his College years as the most transitional and transformative years of his life:
“Cultivating poetry and rhetoric had elevated my feelings, and Virgil, Cicero, and other authors showed me a new path which I [could] take . . . Who, at the age of fourteen years, if he has enjoyed the favor of the Muses, does not shed tears on the transition from childhood to young manhood?”[3] (P. Jacinto, Memorias de un Estudiante de Manila, p. 26)
A transition from “childhood to young manhood”, marked by “elevated feelings” and “a new path”, was the imprint of Ateneo on young Rizal. Much of Rizal, he owed to his Jesuit education in Ateneo. Ambeth Ocampo, chair of History Department of Ateneo de Manila University, described the influence of Ateneo education in Rizal such that “he [Rizal] would have still been alive [after December 30, 1896]” had he not “taken his Ateneo education too seriously”. This paper then aims to reexamine Rizal’s life to find out the extent with which Ateneo had influenced and produced a man like Rizal.
In the Jesuit Constitutions[4], St. Ignatius, the founder of the Jesuit order, emphasized the crucial role of education in the total development of the individual, asserting that “Jesuit teachers were to show cura personalis (personal care) for their students”. For above all, the Jesuit education pursued one aim: ad majorem Dei gloriam, for the greater glory of God.
The Ratio Studiorum[5], the official plan for Jesuit education, three centuries old when Rizal entered the Ateneo, has been described as “a compilation of general principles and detailed instructions for teachers, rather a spirit and a method than a mechanical formula or a blind pedagogical technique”. Jesuit education focused not only on information but more importantly, on the formation of the human mind. Training the mind, which the Jesuits called eloquienta perfecta, was achieved by integrating the humanities and literature in the Jesuit curriculum. For the spirit that the “Jesuit education infused was the spirit of the classical humanities, the arts of human culture”[6]:
“Why have the great classics, the great works, the great authors, been studied? — Quite simply, they provide what it takes to form a soul, to form a personality.” (Fr. Richard Tierney, S.J. Teachers and Teaching[7])
Therefore, passion for academics and for the arts, an ideal stated in the Ratio Studiorum as Sapientia, Eloquentia et Humanitas, not only guided Jesuit education but also distinguished it. The Latin phrase, which became popular during the Renaissance, the period of European rebirth, roughly translates to wisdom, eloquence, and humanism — which means, ‘to know, to speak the mind, and to be’. These virtues, because they are instilled in and interpreted by the human person, could influence one’s life and actions even beyond the walls of one’s school.
In the sections to follow, this paper will discuss how these same pillars of Jesuit tradition educated Rizal particularly during his college years. This paper argues that the influence of the Jesuits on Rizal cannot be underestimated. Ateneo’s Sapientia, Eloquentia et Humanitas, formed and transformed Rizal as a human person. These virtues, having been imbibed in Rizal, played an important role in the most crucial moments of his life.
And so, as much as this is a story of a man called Jose Rizal, it is the story of every Atenean.
‘I SPENT THE HAPPIEST YEARS OF MY LIFE THERE’
For he was short in stature and weak in constitution, eleven-year-old Jose Rizal almost did not get admitted in Ateneo Municipal in 1872, despite passing the required entrance examinations earlier that year. Had it not been for the help of Manuel Jerez, nephew of late Father Burgos, who contrived to overcome the Jesuit’s objections, Rizal would not have been admitted in the Jesuit school. In admitting young Rizal, Ateneo had nothing to regret for the boy “read perfectly and was very well behaved in spite of his tender years.”[8]
Rizal entered College in Ateneo Municipal on 16 June 1875[9]. What Rizal took was a five-year estudios generales leading to a degree of bachelor arts and a diploma in Perito Agrimensor (Master Surveyor and Assessor). Despite being 14 years old at that time, Rizal wrote in his diary, that “he was still very small” but this did not stop him from being esteemed. For he argued, “power is achieved through skill” and not by force. And so, not only were Rizal’s skills honed by his college education but also, his character developed holistically. The Jesuit curriculum at Rizal’s time included Christian doctrine, Spanish, Latin, Greek and French, world geography and history, the history of Spain and the Philippines, mathematics and the sciences (arithmetic, algebra, geometry, trigonometry, mineralogy, chemistry, physics, botany and zoology), and the classic disciplines of poetry, rhetoric and philosophy.
Being the little provincial that he was, Rizal had to work his way toward excellence. In his diary, he humbly reminisced himself as a “child with little knowledge of the Spanish tongue, with an intelligence only partly developed and almost without refinement in feelings” when he had begun school. In his first year, he was awarded only an accesit in all his subjects — among the leaders but not top of his class — and he received not a single prize. Despite being an indio who stuggled with a foreign language to obtain information, Rizal persisted, kept pace and even occasionally managed to surpass the others.
In his article “Rizal’s Record at the Ateneo,”[10] Fr. Raul Bonoan, SJ wrote that Rizal won his first medal in his second year for receiving good citations in five aspects — conduct, effort, Latin, geometry, and geography. It was during his second year, when he studied Virgil, Horace, Cicero and other authors, that Rizal affirmed to have developed patriotic sentiments:
“My second year in college resembled the first with the difference that patriotic sentiments as an exquisite sensibility had been greatly developed in me. It passed like the first among principles of logic, physics, and poetical compositions.” (P. Jacinto, Memorias de un Estudiante de Manila, p. 26)
Poetry and rhetoric — the incarnation of Jesuit humanitas — provided Rizal with a renewed vision in life, “a new path which I [could] take”, Rizal wrote. In the Ateneo collegiate course, poetry and rhetoric was studied and practiced on the model of the Greek and Latin classics. With the help of his professor Father Francisco de Paula Sanchez, Rizal learned about the “beautiful language” of Olympus and appreciated literature. To Rizal, who was overflowing with emotion, nothing could be sweeter than poetry and sadder than ‘prosaic positivism of metallic hearts’ that he wrote in his memoirs, “after having tasted it [poetry], I cannot conceive how a young heart can abandon it”. He finally concluded, “thus I dreamed then!”
In most subjects, the Jesuit curriculum required exercises not only in poetry and versification but also in religion and Spanish patriotism. In the Ateneo, Rizal composed verses for Magellan, for Urbiztondo (“the Terror of Jolo”), for Columbus, for the Catholic Kings taking Granada, and a verse translation of a Jesuit’s Italian play on a Roman martyr, all of which can be found in Poesías de Rizal[11], a rich compilation of Rizal’s poems edited by Jaime C. de Veyra. As much as these poems were student compositions, de Verya argued that upon taking a closer look, some of young Rizal’s poems already had a “tendency towards wider fields than those which are strictly scholastic”. For example, in his poem “Education Gives Luster to the Motherland”, which he wrote when he was still in Ateneo, Rizal first elucidated his view on the importance of education. He began his poem by describing education as the source of “enchanting virtue” that will bring the country in an “endless glory” and in “dazzling glow”:
“Wise education, vital breath,
Inspires an enchanting virtue;
She puts the Country in the lofty seat
Of endless glory, of dazzling glow.”(Rizal, trans. Por La Educación Recibe Lustre La Patria)
Much of Rizal’s latter College education focused on philosophy. Classes began and ended with prayes, and the whole school life was centered on the chapel[12]. The highest level of organizational involvement was to be found in the religious confraternities, The Academy of Spanish Literature, The Academy of Natural Science, Congregracion Mariana and the Apostolado de la Oracion[13], with which Rizal was all part of, and to which he had later become the secretary of. As he entered his last year in the Ateneo, Rizal described his encounter with philosophy and physics with Igatian discerno, or keenness of insight:
“[S]evere philosophy, inquiring into the why of things attracted also my attention as did poetry, beautiful as she alone can be, playing with the charms of nature and leaving traces that breathe sublimity and tenderness. Physics, lifting up the veil that covers many things, showed me a wide stage where the divine drama of nature was performed. The movement, sound, warmth, light, electricity, a thousand varied phenomena, the most beautiful colors and delicate beauties entertained me during my free hours.” (P. Jacinto, Memorias de un Estudiante de Manila, p. 25)
From being ranked fifth in his second year, Rizal had moved to second place overall in his third year, and first in his fourth year. For all his achievements, Fr. Bonoan described, that Rizal graduated from the school as the “undisputed first”. In his diary, Rizal summed up his transformation in his years in Ateneo in this way:
“By dint of studying, of analyzing myself, of reaching out for higher things, and of a thousand corrections, I was being transformed thanks to the beneficient influence of a zealous professor.”[14] (P. Jacinto, Memorias de un Estudiante de Manila, p. 26)
Probably for the first time in his life, it was in Ateneo that Rizal “came into direct contact and competition with boys who were not natives”[15]. Despite this, he managed to participate, keep pace and even occasionally surpass the Spaniards. His Austrian friend Ferdinand Blumentritt, in his short biography of Rizal, was convinced that Rizal’s story in the Ateneo was anecdotal to the Filipino situation. His “sensitiveness and self-assertiveness”[16], which he had developed in the Ateneo, took on a strong racial tinge. As we know, later on in his adult life, Rizal constantly reminded and challenged the native-born youth to “break the chains which shackle their creative genius”. According to Blumentritt, Rizal’s experience in the Ateneo spurred his personal assertions on racial injustice. Blumentritt described Rizal’s rationalization that convinced him that, above all, the Filipino had potential as much as the Spaniards did:
“Rizal asked himself: Are these views just? He put his question to himself while still a schoolboy, when he used to examine closely not only his white classmates but himself. He soon noticed that, in school at least, there was no difference in the standard of intellect between whites and indios; there were lazy and diligent, unruly and well-behaved, less talented and more highly gifted boys as much among the white as among the colored. . . Thus it was at school that he first gained conviction that. . . whites and indios had the same mental ability.”[17] (Blumentritt)
At the age of sixteen, Rizal had graduated Ateneo with a degree of sobresaliente (excellent). And like most Ateneans, such as late Nanding Hofileña, Rizal was probably the first one to say that although he was leaving the walls of Ateneo, Ateneo would never leave his being:
“If my eyes no longer shed tears upon recalling you [years in the Ateneo], my heart melts and seems to be oppressed! I have your memory here in my heart, in my mind, in my whole being.” (P. Jacinto, Memorias de un Estudiante de Manila, p. 25)
SAPIENTIA: THE ATENEAN SAILS ‘TO DISCOVER’
On the May 3 1882, the first day of his departure from Calamba to Barcelona, tears welled in Rizal’s eyes — for he had to leave his motherland, his parents, sisters and brother Paciano — but the “cursed sense of honor” held them, Rizal wrote. On the third day, where they were only a third near Barcelona, Rizal had overheard his fellow passengers unanimously talk about the unrelieved corruption they were leaving behind, and this had not helped Rizal, who at that time was seasick:
“Criticism flowed freely. I discovered that in my poor country all the Spaniards, friars and lay officials alike, are consumed with the desire to suck the blood out of the Indio.”[18] (May 5, Diary of Rizal in 1882: Travel from Calamba to Barcelona)
Certainly, “I came to discover”, a phrase often used by expeditioners, would represent this life-changing voyage for the entirety of Rizal’s life. For ‘coming to discover’ required a mind that was discerning and willing to know, which was the very essence of Ignatian sapientia. For as he sailed, Rizal was not only crossing geographic boundaries but also moving through societies and worlds of different cultures and ideologies. For what had Rizal been but a sheltered boy whose world consisted only of Calamba, its few neighboring towns and Manila, with its “religious and academic atmosphere.”[19] Perhaps what had made Rizal was not only what Ateneo had done to him but what Ateneo could not have taught him: progressive and liberal ideas, for these ideas were not taught but encountered. What Ateneo had instilled in Rizal, instead, was an open yet discriminative mind. In his compilation of stories about Rizal’s stay in Europe, Francisco Villanueva, Jr. described how Rizal was both a careful observer and mentally-endowed:
“Rizal was a very good observer of foreign customs. According to the celebrated writer, Watts, “nothing tends so much to enlarge the mind as traveling.” Rizal knew this and he always took advantage of his travels to increase his knowledge and experience. He used to compare foreign customs with Philippine customs.”[20] (Villanueva Jr., A Careful Observer in Reminiscences of Rizal’s Stay in Europe)
Upon arrival in Barcelona, Rizal immediately felt the shift in culture. Rizal usually encountered the most elegant and magnificent sceneries of Barcelona, but later on, he witnessed the city’s most ugly section, and this gave him a “nostalgic aspect to things” [21], an arguably Ignatian sensation. When Rizal arrived in Madrid, for he was to continue medical studies at the Central University of Madrid, Rizal found stark contradiction between the Spanish colonial government in the Philippines and in Madrid. While in the Philippines, Spaniards, friars and officers were almost tyrranical and absolutist, in Madrid, freethinkers and atheists spoke freely of religion, the State exercised little authority, and republicans (liberals) and Carlists (conservatives) worked freely for the realization of their political ideals:
“His sojourn in Spain opened up to him a new world. His intellectual horizons began to expand. New ideas pressed upon him. He came from a country where bigotry came naturally, where the Spanish friar, the Spanish bureaucrat and the Spanish officer ruled with unlimited power over body and soul . . . A feeling of bitterness seized him as he perceived the difference between the unchecked freedom of the Mother Country and the theocratic absolutism in his nativeland.” (Blumentritt)
While classical literature and philosophy inspired young Rizal in Ateneo, contemporary literature and philosophy shaped his political views during his age of maturity. The liberal and progressive ideas and writings of the Enlightenment and of Romanticism, particularly that of French philosophers Rosseau and Voltaire, gave Rizal a more outward political outlook. Having mingled with liberals in Madrid, Rizal changed from “from a pious Catholic to an articulate rationalist”[22]. On May 26 1882, not more than a month after Rizal had left the Philippines, Paciano Rizal, Rizal’s only brother whom he considered his second father, sent him a letter to remind him that he had gone to Spain to fulfill a much higher purpose. That beyond finishing medical studies, Paciano was convinced as well, that Rizal was to pursue what he was truly meant to do:
“To me the principal purpose of your departure is not to finish this course but to study other things of greater usefulness, or that to which you are more inclined. So I think that you ought to study at Madrid, center of all the provinces, because though it is true that there is more life, more work, and better education at Barcelona, you have not gone there either to take part in that kind of life or much less to work.” Manila, 26 May 1882
That Rizal was convinced that nations won their freedom “not on bended knees but with weapons in the hand”[23], he told his Jesuit mentors of. Rizal led the propaganda movement enjoined by Filipinos both abroad and in the Philippines such as Apolinario Mabini. He became a central figure in the Filipino reformist movement, and a writer of assertive political novels that criticized both Spanish and Church abuses. The pen, which Rizal called “the heart’s and head’s main instrument”[24], signified the non-revolutionary attitude which the propagandists took. After all, the movement aimed to achieve reform by awakening the spirit of solidarity of the Filipino people and stimulate the creation of diverse societies[25], and not through violent and revolutionary means. Rival evaded thoughts of garnering independence through brute force and instead believed in the natural evolution of Filipino mentality and nationalism. Rizal’s ability to foresee consequences of such a reckless decision proved to be of benefit to the future affairs that would win this nation its own sense of freedom.
In the course of this movement, Rizal mentioned that while his Jesuit education taught nothing about nationalism, the Jesuits certainly trained their students to the best persons that they can be. For that, Rizal felt convinced that they were taking the right track and the most possibly Jesuit way of interpreting political action:
“All of us have to sacrifice something on the altar of politics though we might not wish to do so. . . Almost all of us have been educated by the Jesuits, who certainly did not inculcate in us love of country, but they taught us the beautiful and the best! For that reason, I am not afraid of the differences in opinion that may possibly exist in our country. They can be combated and repressed.”[26] (Rizal to Blumentritt, Berlin, Germany, April 13, 1887)
ELOQUENTIA: RIZAL’S PEN SPEAKS
Young an Atenean that he was, Rizal was a writer, a poet, in other words, an inherent literary enthusiast. He “ventured to write and intrude in the illustrious and fastidious theather of the poets, orators, historians and rhetoricians”, Rizal wrote. Even when he enrolled at the University of Santo Tomas, young Rizal won in two literary contests: first prize for his ode ‘A la Juventud Filipina’, and another prize for his entry about Cervantes, ‘El Consejo de los Dioses’. His words flowed naturally but were equally strict and stark. For this gift, which the Ateneo had nurtured, Rizal to be a man who spoke his mind, which truly was, Ignatian eloquientia. Rizal considered it important to free and speak the mind, and this, according to him, was the ultimate goal of writing:
“We ought always to work with the head and the heard . . . Now, the heart’s and the head’s main instrument is the pen; some prefer the brush, others the chisel. I choose the pen. But let not the tool appear as the primordial element; at times with a bad one great works are accomplished. . .”[27]
Politics is in itself literature[28], and art must not simply aim to please, it must be an instrument for political action, Rizal wrote. He believed that the writer must be a critic of society. Rizal’s pen, most of all, had written literature that were embedded in issues with politics and social institutions.
As much as he had written a few articles before the novel, it was Rizal’s Noli Me Tangere that had earned him attention against many of the Spanish community of Manila. As soon as copies of the book reached Manila, Rizal was utterly antagonized by superiors of religious orders, keeping after the Governor-General to have the author tried. They condemned the book as “heretical, impious and scandalous from the religious angele, and unpatriotic, subversive of the public order, offensive to the Spanish government”.[29]
Rizal, however, felt he had done what he wanted to do. To Rizal, that Noli Me Tangere painted the “realities of a naive country” and “of what was happening” in his Motherland, which he longed to write about, the novel was the embodiment of himself as well. The novel was the enactment of a work to which he “took part in”, he wrote. In a letter he sent Fr. Pablo Pastells, who was his spiritual guide and director even after he had left Ateneo, he described how much he treasured his novel:
“I have turned my eyes to the fresh years of my youth and I have asked myself if at any time resentment moved the pen that wrote Noli Me Tangere, and my memory has answered no. . . What there was, was a clear-sighted look at the realities in my naive country, the vivid memory of what was happening, and sufficient accuracy in determining the cause of the disease, so that I not only pictured the past but also guessed the future, for even now I see what I called a ‘novel’ come true so exactly that I say that I am present at the enactment of my own work and taking part in it.”[30] (Rizal to Father Pastells, Dapitan, 11 November 1892)
In this novel, Rizal’s special relationship with the Ateneo stood. He painted the Jesuits in good light, in contrast to the negative portrayal of other religious orders. Later on, Rizal moved to France where finished another novel, El Filibusterismo. A sequel to his first novel, El Filibusterismo was one that “sought the well-being of the suffering and promote human justice”[31]. He would have poured into its pages “all his knowledge, all his thoughts, all his feelings, but there was not enough space.”
The higher purpose of Rizal’s writings could perhaps be summarized in what he had told Juan Luna, ‘ad majorem Phil gloriam’[32], “for the greater glory of the Philippines”, which resounded the Latin motto of the Society of Jesus. In all of his writings, Rizal “vowed to dedicate to avenge the victims” of injustices and cruelties, he wrote. Witnessing the execution of the Gomburza fathers “opened up” young Rizal’s mind. For he was there — up a tree in Intramuros — when the three priests walked to their execution. Since then, he asked God to give him the occasion to pursue his studies and pass what he was sworn to do. And that same year, he applied in Ateneo Municipal, and his life changed forever:
“If it were not for 1872, we would today, not have Plaridel nor Jaena nor Sanciangco; there would be none of the brave and active Filipino communities in Europe. In view of those injustices and cruelties while I was yet a boy, my imagination woke up, and I vowed to dedicate myself to avenge those victims some day. With this idea in mind, I have pursued my studies, and this can be seen in all my writings. May God give me the occasion, some day, to bring to pass what I have sworn to do.”[33] (Rizal to Mariano Ponce, Paris, 18 April 1889)
In his later years, it was the Jesuits, out of all the men of the cloth, whom he corresponded with, debating with them on matters such as religion and the fate of the islands. As he walked to his execution grounds in Bagumbayan on December 30, 1896, two Jesuits were flanked by his side. For the last time, and it was to be some of the last words he would ever say, he turned to the city and recognized Ateneo, and had said that “he spent 7 years there [in Ateneo]” and that “everything the Jesuits taught me was good and holy”. To the Jesuits who went with him, Rizal cried out his suffering for it was “a terrible thing to die”[34]. To his very last day, Rizal turned to his Jesuit fathers for reassurance, some moments before he was shot.
And this man’s death led to the birth of a new nation.
HUMANITAS: THE ATENEAN AS NATION-BUILDER
We are now an independent nation. And yet, we still find ourselves in the same situation of social and economic underdevelopment as in Rizal’s time. A few elites control the wealth of the land, and the working class are alienated and subjugated to this select few. Our politicians are elected not based on genuine political ideologies and platforms but based on personality politics. Today’s youth are still void of education, for they cannot afford it and the government cannot provide for it. . . (some paragraphs deleted) . . . History is witness to this nation’s incessant rising and falling. . . (some paragraphs deleted) . . .
Today, we still are unsure about where we are heading — of where we are bringing this nation. A hundred and fifty years ago, our heroes and martyrs fought for the Philippine nation, now, we are called to build this nation and sustain it. While we have achieved political independence, we continue to build the Philippine nation. This, truly, is the Atenean legacy which, more than 150 years ago, Philippine national hero and fellow Atenean Jose Rizal led and fought for, and now, the Atenean, most of all, is called to build and sustain. To be a nation-builder, “to contribute to the development goals of the nation”, as stated in Ateneo de Manila University’s vision and mission today, is the mission of every Atenean. We continue to become, as in Ignatian humanitas, not only for ourselves but for our country as well.
To be men and women for others — this phrase, coined by Fr. Pedro Arrupe, S.J., twenty-eighth Superior-General of the Jesuits, serves as the mantra of today’s Jesuit education, so much so, Ateneo. The concept of being-man-and-woman-for-others emphasizes “re-education for justice”, liberation of man, and “action on behalf of justice and participation in the transformation of the world”, and the Atenean is called to exemplify this. The Atenean is called to serve beyond oneself. The Atenean — the modern intellectual of today’s Philippine society — therefore, is asked not only to mesmer at the nation but to go down from the hill to build it.
CONCLUSION
As much as Ateneo has influenced Rizal, Rizal has influenced the Ateneo. Jose Rizal lived out what it means to be Atenean, by embodying Ignatian Sapienta, Eloquentia et Humanites, and at the same time, Rizal also redefined what it means to be truly Atenean —
for, Rizal had shown, Sapientia does not just refer to a discerning mind, but that with a discerning mind, we must sail ‘to discover’.
for Eloquentia does not just refer to speaking the mind, but speaking the heart as well.
for Humanitas does not just refer to being truly human, but being truly human for others.
Every Atenean can read through the letters of Rizal, and find oneself. This, after all, is the ultimate message of Rizal’s life: “to challenge to be better than you are and to see beyond yourself”[35]. Ambeth Ocampo had said it plainly yet piercingly:
“. . . you can take a boy out of the Ateneo but you can never take Ateneo out of a boy. That is the germ of Rizal in Ateneo in Rizal.”[36]
Rizal lifted up the hearts of his generation, and now, the present generation inherits and preserves the legacy. More than a century had passed, but we remember him, and remember how much he believed in us:
To the Filipino youth,
Hold high your faultless brow,
Shine forth resplendent now,
In gallant glory stand,
Radiant Genius, fly!
Make thy noblest dreams his own;
Break the chain that shackles
Its creative Genius.
(Rizal, A La Juventud Filipina)
WORKS CITED
Fr. Jose S. Arcilla, S.J. Formation of Philippine Society. 2009, Diliman: Muse Books, p. 220.
Fr. Jose S. Arcilla, S.J. Rizal and Poltergeists in Dapitan. Philippine Studies vol. 49, no. 1 (2001).
Raul J. Bonoan, S.J. Rizal’s Record at the Ateneo, Philippine Studies Historical and Ethnographic Viewpoints, 27(1).
Fr. Raul J. Bonoan, S.J., trans., The Rizal-Pastells Correspondence. 1994, Quezon City: Ateneo de Manila University press. For an online version, refer to http://joserizal.info/Writings/Letters/rizal-pastells.htm.
Petronilo B.N. Daroy and Dolores S.Fere. Rizal: Contrary Essay. Petronilo B.N. Daroy and Dolores S.Fere. 1968, Quezon City: Guro Books.
Horacio V. Dela Costa, trans and ed. The Trial of Rizal (W.E. Retana’s transcription of the official Spanish documents). 1961, Manila: Ateneo de Manila University Press.
Jaime C. de Veyra, trans and annotated, Poesías de Rizal. 1946, Manila: Bureau of Printing.
P. Jacinto. [Rizal’s pen name], trans Leon Maria Guerrero. Memorias de un Estudiante de Manila. 1950, Manila: Bardavon Book Co.
Leon Ma. Guerrero. The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute.
Leon Ma. Guerrero. Race, Religion and Rhetoric in The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute
Ambeth Ocampo. Rizal in Ateneo in Rizal. June 22, 2011. Retrieved from http://opinion.inquirer.net/6759/rizal-in-ateneo-in-rizal.
Claude Pavur, S.J., trans. and annotated. The Ratio studiorum: the official plan for Jesuit education.2005. Saint Louis, MO : Institute of Jesuit Sources.
Francisco Villanueva y Madrid, Jr. Reminiscences of Rizal’s Stay in Europe. 19– Cornell University. Retrieved from http://ia600409.us.archive.org/25/items/cu31924023255874/cu31924023255874.pdf
Rizal-Blumentritt Correspondence. 2011, National Historical Commission.
Paolo M. Taruc. A Martyr Lives On. August 2, 2011, The Guidon. Retrieved from http://www.theguidon.com/1112/main/2011/08/a-martyr-lives-on/.
Richard Henry Tierney, 1870-1928. Teacher and teaching. 1914, New York [etc.]: Longmans, Green and co. Retrieved from http://www.archive.org/stream/teacherteaching00tier/teacherteaching00tier_djvu.txt.
Maxima Viola. My Travels with Doctor Rizal,. Retrieved from http://joserizal.info/Biography/viola_diary.htm.
ENDNOTES
[1] Read Hofileña’s complete response in Dr. Fernando P. Hofileña, Lux-in-Domino Citation in In Memoriam: Fernando P. Hofileña, M.D. Retrieved from http://www.ateneo.edu/index.php?p=120&type=2&aid=10616.
[2] For an account of the lives and contributions of some of the greatest Ateneans, refer to 150 The Ateneo Way, a coffee table book compiled and edited by Fr. Jose Arcilla, S.J.2009. Mediawise Communications, Inc.
[3] Chapter 5 of P. Jacinto [Rizal’s pen name], trans Leon Maria Guerrero. Memorias de un Estudiante de Manila. 1950, Manila: Bardavon Book Co.
[4] William Cornwallis Cartwright in The Jesuits: their constitution and teaching; an historical sketch. 1876. J. Murray.
[5] Claude Pavur, S.J., trans. and annotated. The Ratio studiorum: the official plan for Jesuit education.2005. Saint Louis, MO : Institute of Jesuit Sources.
[6] Description of Leon Ma. Guerrero in The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute.
[7] Tierney, Richard Henry, 1870-1928. Teacher and teaching. 1914, New York [etc.]: Longmans, Green and co. For the full text, see http://www.archive.org/stream/teacherteaching00tier/teacherteaching00tier_djvu.txt
[8] Retana, 19, quoting an article by Xerez Burgos entitled Rizal de niño, in Republica Filpina, 30 December 1898.
[9] Chapter 5 of Memorias de un Estudiante de Manila. Manila.
[10] Raul J. Bonoan, S.J. Rizal’s Record at the Ateneo, Philippine Studies Historical and Ethnographic Viewpoints, 27(1), 53-74.
[11] Poesías de Rizal, edited and annotated by Jaime C. de Veyra. 1946, Manila: Bureau of Printing.
[12] 46, Leon Ma. Guerrero. Race, Religion and Rhetoric in The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute.
[13] Ibid, p. 47.
[14] Chapter 5 of P. Jacinto [Rizal’s pen name], trans Leon Maria Guerrero. Memorias de un Estudiante de Manila. 1950, Manila: Bardavon Book Co.
[15] Leon Ma. Guerrero. Race, Religion and Rhetoric in The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute, p. 49.
[16] Ibid, 49. Guerrero described Rizal’s sensitiveness and self-assertiveness as two traits in Young Rizal which would be of utmost importance later in his life.
[17] The same translation of Blumentritt’s article, in Leon Ma. Guerrero. The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute, p. 49.
[18] On May 5, Diary of Rizal in 1882: Travel from Calamba to Barcelona. Online version can be retrieved at http://joserizal.info/Writings/Diary/01_Calamba-Barcelona.htm.
[19] Fr. Jose S. Arcilla, S.J. Formation of Philippine Society. 2009, Diliman: Muse Books, p. 220.
[20] Francisco Villanueva y Madrid, Jr. Reminiscences of Rizal’s Stay in Europe. 19– Cornell University, p. 21. Retrieved from http://ia600409.us.archive.org/25/items/cu31924023255874/cu31924023255874.pdf
[21] Written by Rizal on June 6, on his trip to Barcelona, Diary of Rizal in 1882: Travel from Calamba to Barcelona.
[22] Description by Fr. Jose C. Arcilla, S.J. Formation of Philippine Society. 2009, Diliman: Muse Books, p. 220.
[23] Fr. Arcilla’s description, Ibid, 223.
[24]Rizal’s letter addressed to Mariano Ponce. London, 27 June 1888. Online version retrieved from http://www.filipiniana.net/publication/rizal-london-27-june-1888-to-mariano-ponce/13076029571131/1/1.
[25] Maxima Viola narrated her conversations with Rizal in Maxima Viola. My Travels with Doctor Rizal,. Retrieved from http://joserizal.info/Biography/viola_diary.htm.
[26] Rizal’s letter addressed to Blumentritt. Berlin, Germany, April 13, 1887. In Jose Rizal, Rizal-Blumentritt Correspondence. 2011, National Historical Commission.
[27] Fr. Arcilla’s book
[28] A chapter entitled “Politics as Literature” was dedicated to a discussion on why Rizal considered politics as literary, and vice-versa, in Petronilo B.N. Daroy and Dolores S.Fere. Rizal: Contrary Essay. Petronilo B.N. Daroy and Dolores S.Fere. 1968, Quezon City: Guro Books.
[29] Rizal to Blumentritt, Ghent, 22 September 1891 in Teodoro M. Kalaw. Epistolario Rizalino. Bureau of Printing, 1930-1931. Fr. Arcilla, S.J. also mentioned in Rizal and Poltergeists in Dapitan, Philippine Studies vol. 49, no. 1 (2001), p. 95.
[30] Fr. Raul J. Bonoan, S.J., trans. The Rizal-Pastells Correspondence. 1994, Quezon City: Ateneo de Manila University press. For an online version, refer to http://joserizal.info/Writings/Letters/rizal-pastells.htm.
[31] Fr. Jose Arcilla, Rizal and Poltergeists in Dapitan. Philippine Studies vol. 49, no. 1 (2001), p. 96.
[32] After finishing Noli Me Tangere, Rizal told Juan Luna that he was at the British Museum for some “ad majorem Phil gloriam”. Found in Leon Ma. Guerrero. The First Filipino: A Biography of Jose Rizal. 1977. National Historical Institute, p. 218.
[33] Rizal’s letter addressed to Mariano Ponce. Paris, 18 April 1889. Online version retrieved from http://www.filipiniana.net/publication/rizal-paris-18-april-1889-to-mariano-ponce/13097440725771/1/0.
[34] Horacio V. Dela Costa, trans and ed. The Trial of Rizal (W.E. Retana’s transcription of the official Spanish documents). 1961, Manila: Ateneo de Manila University Press.
[35] In a personal interview with Ambeth Ocampo. Paolo M. Taruc. A Martyr Lives On. August 2, 2011, The Guidon. Retrieved from http://www.theguidon.com/1112/main/2011/08/a-martyr-lives-on/.
[36] Ambeth Ocampo was referring to an exhibit in Ateneo de Manila University entitled Rizal in Ateneo in Rizal. Rizal in Ateneo in Rizal. June 22, 2011. Retrieved from http://opinion.inquirer.net/6759/rizal-in-ateneo-in-rizal














